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Blavity Inc. is a venture-backed corporation that builds product solutions and media for Black consumers and enterprises who want to reach them. Our business division, AfroTech, is a professional network and talent acquisition solution for the world`s largest companies. In addition, Blavity Digital Media Group creates content for Black audiences across all platforms. Today, we are home to the largest network of platforms and lifestyle brands serving the multifaceted lives of Black millennials & Gen-Z through original content, video, and unique experiences. The company has grown into a market leader for Black media, reaching over 250 million millennials per month through our growing brand portfolio: Blavity News, 21Ninety, AFROTECH™, Travel Noire, and Shadow & Act. Assembled of passionate, high-energy, and focused rock stars, our Blavity, Inc. Team executes with our values at the forefront of mind: Love of Community, Transparency and Communication, Collective Responsibility, and Fail Fast. Blavity, Inc. is continuously looking for new team members to help us continue to scale, cultivate our community, and advance our strategic direction.
Reserve Chicago is a Chicago, IL-based company in the Media & Entertainment sector.
Dan Kaufman Graphics is a Arlington, VA-based company in the Media and Entertainment sector.
Silicon Valley Communications is a San Jose, CA-based company in the Media and Entertainment sector.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each others’ efforts to establish fair wages and working conditions for their members. Our union has evolved to embrace the development of new entertainment mediums, craft expansion, technological innovation and geographic growth. Today, our members work in all forms of live theater, motion picture and television production, trade shows and exhibitions, television broadcasting, and concerts as well as the equipment and construction shops that support all these areas of the entertainment industry. We represent virtually all the behind-the-scenes workers in crafts ranging from motion picture animator to theater usher. During a period when private sector union membership has been in sharp decline the IATSE has continued to grow. Since 1993 our membership has increased from 74,344 to more than 119,000. This growth is attributable to our willingness to adapt our structure to protect our traditional jurisdiction and accommodate new crafts. But that alone is insufficient. The IATSE has maintained and enhanced its position in the vanguard of the entertainment industry through effective rank and file empowerment, political engagement, and our dedication to grass roots organizing. On both the International and local union levels, the motivating principle of the IATSE is to represent every worker employed in our crafts.